santa barbara

Strasburg Studio Archives: Time Machine

  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 

Strasburg Studio Archives: Rediscovery in the Stacks

  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 

T I M E  M A C H I N E

Thank you for joining me on this monthly trip through the archives of my studio.

May SPOTLIGHT: "154 Sky 01 & 02," 24x24" oil on panel, 2001.

154 Sky 01, 24x24”, oil on birch panel, 2001.

Climbing into the way-back machine is where we find the paintings for this month's spotlight.

In 1999 I left my day job to pursue painting full time. Up to this point, most of my creative work had been done after hours and on the weekends.
 
Fully committed to landscape painting, I dreamt of being that romantic figure out on the cliffside making beautiful renditions of the majestic scenes unfolding before me.
 
The reality of dragging gear out, locating the “just right spot”, setting up and spending hours staring in one direction, proved too much for my enthusiasm when outside.

154 Sky 02, 24x24”, oil on birch panel, 2001.

Wind pushing clouds, sunlight moving across subjects, fighting the elements and impossible places to set up an easel made the act of outdoor painting less than ideal for me.
 
My biggest challenge is I want it all. I want to be present for it all while nature is putting on a show.
 
Parked on the side of Old San Marcos Road, looking up toward Highway 154, I shimmied down an embankment to capture a few quick photos which inspired these two paintings of the Santa Ynez Mountain range. The storm was passing quickly, the wind elbowing the clouds aside and briefly illuminating the hillside before casting it back into a grey stormy tableau. 

These two early works, born from quick snapshots outside and contemplative reflection inside, solidified my resolve and shaped my identity as a studio painter.

Engaging in walking meditation, absorbing the landscape and reflecting on my experiences became integral to my artistic practice.


In 2001, I still maintained my own studio gallery at 30 Arlington Avenue in Santa Barbara. These paintings began their exhibition tour in Santa Barbara, traveled to two outdoor markets (in Beverly Hills and then Sausalito) ending their show careers in San Diego at Susan Street Fine Art before returning home to the studio shelves.  

    .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  

Interesting local factoid:

 DID YOU KNOW? In 1861, a stagecoach route was built across San Marcos Pass by Chinese workers working from both ends of the proposed course. The original stagecoach route started near Kellogg Avenue in Goleta. Later, the route began at the Arlington Hotel in downtown Santa Barbara. In 1892, a new route was built on what is now called Old San Marcos Road. After crossing the summit, the road went down to Cold Spring Tavern. Discovered on www.cahiways.org

   .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  

Strasburg Studio Archives: Rediscovery in the Stacks

 One treasure. One story. Once a month.


I look forward to sharing the hidden gems in my studio in this monthly series.
Feel free to forward to other treasure seekers and art lovers.

Post Show Disappearance

My show concluded at the end of September of this year and what an amazing show. I felt like I ran a marathon at a sprint putting together the 54 pieces that were delivered to the gallery in July.

By the end of the show all the gas had been consumed from my tank. My normal pattern would be to celebrate by traveling somewhere and filling my eyes and heart back up before returning to the studio. Alas, it has been another grounded year.

Life continues and despite being home there are shows still on the horizon. Right now at Sullivan Goss you can find my work in both the annual 100 GRAND exhibition as well as the Winter Salon.

Sky Sea 40, 4x4”, Gouache on Arches Board - 100 GRAND Exhibition at Sullivan Goss Santa Barbara


I hope the season finds you all well and thriving. May your creativity find you hard at work. Happy Holy Days.

Campus Tide 5, 28x40”, oil on cradled birch panel - Winter Salon, Sullivan Goss

SEA CHANGE catalog

We are about ready to send the catalog to press. Sullivan Goss has put up a digital preview HERE and Beth Taylor-Schott has outdone herself with an exceptional essay about the work. I’m speechless and grateful. Thank you Beth for the poetic expression of my visual experience.

Catalogs should be in the gallery by mid month.

SEA CHANGE officially opens

Please join me in celebrating a new exhibit at Sullivan Goss in Santa Barbara. It’s been 5 years since my last solo show and I’m returning to the subject of a perpetual obsession, the pacific ocean. After the many months pummeled by news of the world and forced seclusion, I offer you color and vast horizons.

The First Thursday reception has been cancelled for August but don’t let that stop you from the respite that the show can offer, a traveling armchair, a breeze blowing onshore, sunshine radiating from the work.

A catalog for the show is also in the works, look for it mid month.

With hopes of seeing you around the gallery, be well, stay safe and let joy find you outside in the sun.

Gallery walls, Sullivan Goss, Santa Barbara

Gallery walls, Sullivan Goss, Santa Barbara

CATALOG EXCERPT:

SEA CHANGE: a profound or notable transformation, substantial change in perspective, transformation after undergoing various trials or tragedies. 

This body of work emerged after the long months of quarantine. We can all agree that the year 2020 altered the way we see and experience the world, a noticeable change in our work patterns, change in our socializations, change in emotional atmosphere.  

During the long seclusion I spent my time combing through old source material for inspiration. Reexamining photographs, I tried to recall the “aha” moment that captured my attention. Looking more closely at these images I was reminded how much information the camera records verses what our eyes are capable of seeing. I question how this influences my work in the studio, the actual verses the recorded, the recorded verses the perceived, all woven into the personal dialog with my materials.

This work represents healing in the making of marks, solace also comes to mind and growth after a long winter. The uncertainty of this past year is veiled as horizons beckon us forward, the passing clouds offer comfort and respite that the storm is moving on, leaving the glorious remains of being washed clean and full of hope.

SEA CHANGE catalog coming soon!

SEA CHANGE catalog coming soon!

September at Sundance

Three new collections arriving this month at Sundance Online.

Sign up HERE be the first to hear about upcoming shows and sales.


New landscapes images of mountains and sky by Nicole Strasburg.

New landscapes images of mountains and sky by Nicole Strasburg.


Sky Sea framed gouache paintings by Nicole Strasburg.

Sky Sea framed gouache paintings by Nicole Strasburg.


Miniature gouache of Antelope Valley Pronghorn by Nicole Strasburg.

Miniature gouache of Antelope Valley Pronghorn by Nicole Strasburg.