STATEMENT
With a minimalist approach to the landscape, my work interweaves naturalistic imagery and abstract sensibilities. My focus is design influenced by natural forms. Composing from drawings and photographs, my paintings develop by adding and subtracting elements, creating a refined statement about time, place and atmosphere.
ABOUT
I was raised from a young age on the coast of California. Our family relocated from Salt Lake City, Utah to Santa Barbara in 1970. Santa Barbara is unique to California; its coastline runs East to West and is nestled between a transverse mountain range and the seashore. In addition, just off the coast sits a handful of islands that make up the Channel Islands National Marine Sanctuary, protected both by our National Park system and the Nature Conservancy. These islands preserve a history of a long-ago California.
Residing in an area where the outdoors is as important as going inside greatly influences the direction of my creative life. Being outside is where I seek inspiration and nature is the axis from which all my creative pursuits stem, informing and influencing all my work. Visiting the shoreline, hiking in the mountains or day-tripping to the islands are all sources filling my creative well.
My process starts outside, absorbing nature through the act of wandering. In these moments I feel connected to something greater than myself. I return to the studio to reinterpret these impressions through an autobiographical lens. Photographs taken in the field, prompt memories, memories influence the translation and active brushwork builds the fabric of the surfaces, reinterpreting the experience in nature. Fleeting moments gathered in the field get interwoven with the emotional remembrance of place which evolve into paintings exploring the sensory perception of land, sea, and sky.
During the recent pandemic, the outdoors offered great respite. We can all agree that the past few years have altered the way we see and experience the world, a noticeable change in our work patterns, a change in the way we socialize and changes in our emotional atmosphere.
In the long seclusion I spent my time combing through old source material for inspiration. Re-examining photographs I tried to recall the “aha” moment that captured my attention. Looking more closely at these images I am reminded how much information the camera records versus what our eyes are capable of seeing. I question how this influences my work in the studio, the actual versus the recorded, the recorded versus the perceived, all woven into the personal dialog with my materials.
What I discovered, despite the uncertainty, was a deeper connection, solace comes to mind, a healing in the making of marks, growth after a long winter. The horizons in the painted landscapes beckon us forward, the passing clouds offer comfort and respite that the storm is moving on, leaving the glorious remains of being washed clean and full of hope.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
©2019 - 2024 Nicole Strasburg I CONTACT